A very few of my experiments are for sale on my website very cheaply if you're interested, as I hate to throw things away. However, selling is not what this blog is about - I'd have starved to death years ago if it was - it would make me happy if you just enjoy the processes.

Friday, 23 September 2011

Light and Shadow, finished - Annabel

The International Quilt Challenge has it's reveal day for the challenge Light And Shadow, today. Click here to see everyone's efforts!

Here's mine.

Thursday, 22 September 2011

Fountains Abbey - The largest monastic ruin in Britain.


























Fountains Abbey in Rippon, Yorkshire, is a truly wonderful place to visit. It's owned by the National Trust, and is a World Heritage Site. It's huge, and awe inspiring.

The facilities are OK. The restaurant is large with heaps of seating, but there were big queues at the food counter because as usual with the NT there weren't enough people cooking and serving.  Loos were a little dated and scruffy but clean. Staff, as ever, helpful and knowledgeable.

The Abbey stands on the floor of the Skell Valley and was built by monks from 1132 onwards.

The river Skell which runs through the site, and the following photos are of a model of what the original must have looked like; it shows how vital this water must have been for milling, transport, and drainage.(the monks' toilets extended out over the river) Fresh water for drinking came from the springs on the hillsides.






You have to put all three photos together to get an idea of how huge this site was.











They've been building Abbey's "up north" as a place of worship since the 7th century, and this one was founded by a group of 13 monks who wanted to return to the simple teachings of St Benedict (6th century). These 13 monks lived at St Mary's Benedictine Abbey in York, but they were frustrated, as the monks there led a life of extravagance in diet, clothing, and lifestyle etc., and the Archbishop of York took pity on them and granted them land at Ripon to start afresh. There was nothing there in the way of shelter etc., and the first winter was hard. It's said they sheltered under an elm tree, and covered themselves in straw to keep warm. The Archbishop sent them rations of bread, but it was a hard life and they nearly gave up.  However they got help from the Abbot of Clairvaux in France, and eventually established the first Cistercian abbey in Yorkshire.

The Cistercian movement had a highly organized set of rules and the community at Fountains Abbey had to follow them, including an annual trip to France to Cistercian HQ for decision updates from the parent Abbey.




 The Church was the first bit of the Abbey to be built, and the picture on the right shows the nave.  This was used by the laybrothers. These were the Cistercian brothers who worked as shepherds or labourers on the abbey's farms. Although an important part of the abbey, and although they took monastic vows, the laybrothers had their own dormitory, refectory and infirmary.
Choir Monks.  The first Cistercian choir monks led austere  lives (you could either be a laybrother or choir monk) They were known as "White Monks" a nickname which came from their white clothes. Their habits were made of coarse, undyed sheep's wool with underwear only permitted when sent on a journey (nb there was no heating in the Abbey for the entire year, but there was a fire in one room which was used for washing - more later)

They spent their day in silence, using only signs to communicate.  They were called to prayers 7 times a day between daybreak and dusk, and had a Vigil at 2 o'clock every morning.

 
 The Cellarium. (right and below) This was where the Abbey's food supplies would be stored.

The cellarer was the monk in charge of managin the estate. His lockable stores for food and produce occupied the alcoves.


(left) This is the doorway to the Chapter House. This is where the monks met each day to discuss religion, and the day to day running of the Abbey.

Each day a monk would read a chapter from St Benedict's Rule, to remind everyone of their calling. This is where the name Chapter House comes from. The book addresses all aspects of life in a religious community and shows a deep understanding of the workings of communal life. The monks were also supposed to confess to wrongdoings here and receive their punishment from the abbot.

Excerpt from St Benedict's Rule
"Idleness is the enemy of the soul. For this reason the brethren should be occupied at certain times in manual labour and at other times in sacred reading."


 Right. A close up of a crumbling wall so you can see how they were constructed.
LAYBROTHERS
Laybrothers took care of the running of the Abbey so that the choir monks could devote their lives to prayer. They wore dark brown tunics and cloaks, and attended fewer services, though they would pray in the fields when they heard the abbey service bell.


Their work was demanding so they had longer hours of sleep and more to eat.  The dormitory could house up to 200 laybrothers, but more stayed on local farms. By the middle of the 1200's, Fountains Abbey had become one of the richest and most powerful religious houses in the country. The sale of wool was the main source of wealth.



( Right). The little label on the wall says "prison" There was no explanation for this in any of the literature, so we're left to wonder if it was for visitors or miscreants of a more monkish nature.

The refectory.  The monks took their seats on wooden benches along the walls, separate from each other, and in silence. One monk would climb the stairs to the pulpit, and read aloud from devotional texts.

The monks on kitchen duty would serve the daily ration of thick vegetable soup (pottage) through a hatch from the kitchen next door.

In summer the monks had two meals a day and in winter, one. Each monk was given a daily loaf of coarse bread made with flour from the abbey's mill and some weak ale to drink. The abbey had fishponds and the occasionally eat fish but not meat. For the elderly, sick, or after blood-letting, meat could be cooked and eaten but in the Infirmary.





 Huby's Tower.

This tower is 167 feet high, and was built around 1500 by Abbot Marmaduke Huby. It's made from local limestone.

























 The tower is empty inside, but you can just see a walkway around the middle on the inside. There's a couple of doors in the corner. There didn't look to be enough space for a spiral staircase, so I'm not sure about why it's there and how you use it.
 A couple of builders are repairing the stone work on one of the bridges.
 The River Skell. No more than a trickle when we went.



Below: The oldest part of the abbey was the wooden church, and early stone building. As you walk from the Church, you pass over tiles from the medieval church floor. This is where the main altar was.

 Warming Room Fires.

Log fires burned in two huge fireplaces from November to Easter. There was no other heating in the Abbey, and monks could come here to warm themselves just for a few minutes (they weren't allowed any longer)

Three or four times a year, the abbot would order blood-letting for the monks, to purify them. They'd go to the warming room for this, and afterwards would be allowed to rest on their beds or in the Cloister.

 The blood was buried, as a sign of reverence for the life they believed was in it.

The choir monks were allowed to rest for 6/7 hours each night (service at 2 am though). They had simple beds and slept in their habits.

Right, is a view up the chimney of the fires (I can't resist peering up chimneys!)  Above the fireplace was a room used for storing papers - The Muniment Room. It was because it was the warmest and driest room in the abbey. It's believed they stored treasures here for King John at the time of the Magna Carta in 1215.

 A roof along a corridor. I couldn't resist the wonderful patterns and textures of these stones.


 The Mill.

The mill was needed to turn the increasing amount of grain harvest into flour for bread.  Cistercians were known as masters of water-driven machinery.

The Mill escaped damage under Henry VIII dissolution, because it was valuable, bringing in an income of £3 a year. It ground wheat, rye, oats and barley, and produced enough to feed the abbey, servants, visitors and the needy.

 I hated this, but took a quick photo. Can't be doing with dank, Gollum-y type places. Ugh.












A bit of graffiti from 1787 on the mill door.

Why did it all go pear-shaped?
Fountains Abbey peaked in about 1200. It was large, rich, and powerful.

At the end of the century however, the mis-management of the accounts led to debts. The abbey made huge money from sheep (wool trade) but it's flocks became riddled with disease. Changing climate meant cooler weather affected the harvests which failed, and raids from hungry Scots, who were suffering famine in Scotland, were followed by the Black Death. Between 1349 and 1350 over 1/3 of the entire population of the country died of the plague.  This meant there weren't enough laybrothers to work the fields, so the land was rented out to provide an income.  It struggled until late in the 1400's when it underwent a short revival, once again becoming the richest abbey in England under Abbot Huby (see great tower above)

In 1539 however, it all ended with a deed of surrender to Henry VIII, and 400 years of worship at the abbey came to an end, and the asset stripping began.


Fountains Hall




There's not much I can say about this, as although you are allowed in, there's nothing much to see. 3 rooms are open, but have no furniture or architectural features of note, apart from 1 fireplace.

The outside is pretty however. It stands at the foot of a steep slope in the Skell Valley just west of the abbey.  It facade is 17th century in the style of Robert Smythson, who was the architect of Hardwick Hall (posting to come)

Finally, there is a lot to see at Fountains Abbey including a walk around the Studley Royal Water Gardens, which include a lake, canal and cascade. There is a deer park to walk around, the De Grey Walk, The High Ride, Lakeside and Seven Bridges,  and The Church of St Mary the Virgin to visit as well.

Plenty to do, and it will take you the whole day to do it all. At £9 this was good value. Unfortunately the WestCountryBuddha's time was limited and Durham Cathedral was calling!

Wednesday, 21 September 2011

Can you guess what they are yet?

Apologies for the quiet blog, but I've been on holiday and have had to do boring old decorating.  I've started adding some images to the latest piece. They have to be stitched and then painted, but here they are to baffle you.

Tuesday, 20 September 2011

Monday, 19 September 2011

Lincoln Cathedral - Posting 2 (Inside the Cathedral)

(All photos subject to copyright)

My main reason for visiting Lincoln Cathedral was that I thought they had a chained library, but alas, no. They told me there was one eons ago, but now they simply have a mock up of one book chained to a stand. There is however a lovely library full of very old books that you can read but by appointment only. No photos were allowed, sorry. However, here's the rest of the Cathedral for you.


The Nave (above) was completed in 1250. It quite often holds 2,000 people,  for concerts and services.













Below is part of the great 12th century frieze, which, as you can see, is being restored.


Above a beautiful piece of embroidery, and left a modern sculpture. Neither had an explanation next to them I'm afraid, so I'm unable to tell you much about them.

The following photos did however, and they are part of a very beautiful frieze called The Forest Stations by William Fairbank.

"There are 15 Forest Stations in all, each one tells a story about a moment in time between the better known "Stations of the Cross".

The Forest Stations are exhibited in panels on the North wall of the Nave of Lincoln Cathedral.

Using wood in an imaginative and innovative way, William Fairbank has created an astonishing set of wood panels involving intricate carving, inlay, juxtaposition of different woods, indeed, woods from many countries to create a narrative of the journey Jesus makes to the Cross and Resurection."
















Below: St Hugh's Choir. This was the first bit of the church to be rebuilt after the earthquake. The wooden carved bits are the Canons' stalls (this is where they sit for important services). They're made from oak and are very beautiful.  On most days an Evensong service takes place here, the Bible is read, and prayers are said for the world.

(nb In the first posting I mentioned we were late arriving in Lincoln because we were caught in a tremendous traffic queue caused by a nasty accident involving a lorry and a van.  I left a note on the Intercessions Board, asking for a bit of love to be sent to those involved.  It would be nice to think they were alright, but I fear not. We had the misfortune to be stuck exactly opposite the wreckage")




The Stained Glass is medieval. This window has recently been restored and double glazed to protect it.
 I loved this carved "walkway" and was intrigued by the plain wood beam underneath it. Do you think it was also like the one above at some point?
 A snippet of paint on the carved stone vaulting.

 The Lincoln Imp.  This area is called the Angel Choir, and dates from about 1280, and was made to house a shrine to St Hugh and pilgrims various.  It's named after 28 angels carved and placed up high under the windows.

At the top of this pillar  is a small carved figure of the Lincoln Imp.

Here's a bit from Wikipedia about the imp.

.


According to a 14th-century legend two mischievous creatures called imps were sent by Satan to do evil work on Earth. After causing mayhem in Northern England, the two imps headed to Lincoln Cathedral where they smashed tables and chairs and tripped up the Bishop When an angel came out of a book of hymns and told them to stop, one of the imps was brave and started throwing rocks at the angel but the other imp cowered under the broken tables and chairs. The angel turned the first imp to stone giving the second imp a chance to escape.


There are many variations on Lincoln Imp legends. According to one popular legend, the imp which escaped fled north to Grimsby, where it soon began making trouble again. It entered St. James Church and began repeating its behaviour at Lincoln Cathedral. The angel then reappeared and gave the imp's backside a good thrashing before turning it to stone like its friend. The "Grimsby Imp" can still be seen in St James' Church, clinging to its sore bottom. Another legend has the escaped imp turned to stone just outside the cathedral, and sharp-eyed visitors can spot it on a South outside wall.


The font.   It's a rare piece of Tournai marble and dates from the time of the Norman Cathedral.  I liked the reflections of the roof, in the water (below)